Perti and Varigotti

Thursday, January 5, 2023 — St. John Neumann
Originale in italiano disponibile.

Since a few months a large patrol of razorbills (Alca torda) has “invaded” the eastern Mediterranean, probably coming from the coasts of Spain where a population regularly winters. Sightings have been recorded virtually all along the Tyrrhenian coast and beyond. I’d really like to take a few photos of the elegant bird, since it has been spotted several times even at a short distance from home. So far I have always missed it; today I’m trying to find it at the Varigotti beach, hoping for more luck.

Sony α6300 + Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS @ 51 mm, 1/400 sec @ ƒ/8, -0.30 EV, ISO 100.

Il campanile della chiesa di Sant'Eusebio a Perti.

As soon as I’ve exited the highway I am immediately attracted by a church with an octagonal dome, already noticed in the past, next to the ruins of the nearby Castel Gavone. So I’m conceding myself a small detour before reaching the sea.

Sony α6300 + Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS @ 20 mm, 1/320 sec @ ƒ/8, -0.30 EV, ISO 100.

Sant'Eusebio a Perti.

At the ancient village of Perti I’m discovering a small jewel: the church of Sant’Eusebio. Indeed it is composed of two distinct buildings: a medieval one with a beautiful bell-gable (rather rare in Liguria), which seems to be very appreciated by three pairs of jackdaws; and an eighteenth-century one with the characteristic octagonal dome that I had previously noticed. All around a bunch of old houses, remnant of the ancient village.

Sony α6600 + Sony FE 70-200mm F4 G OSS @ 70 mm, 1/1000 sec @ ƒ/6.3, -1.70 EV, ISO 100.

Nostra Signora di Loreto a Perti.

A road goes halfway up the hill, overlooking a valley and surrounded by an olive grove. At a short distance, in the middle of the crowns of the olive trees, another octagonal dome stands out: it’s the church of Our Lady of Loreto, also called “dei cinque campanili” because of its spires. This dates back to pre-renaissance and makes the place even more interesting, as three elegant religious buildings from three distinct eras are concentrated in a few hundred meters.

Sony α6300 + Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS @ 16 mm, 1/100 sec @ ƒ/8, -0.30 EV, ISO 100.

Nostra Signora di Loreto a Perti.

All of them not very easy to photograph, especially the village of Perti; so I’m writing in my notebook to come back and find a point with a better view — probably on the opposite side of the valley, for a photo with a telephoto lens.

Sony α6300 + Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS @ 16 mm, 1/250 sec @ ƒ/8, +0.30 EV, ISO 100.

Nostra Signora di Loreto a Perti.

After a brief preliminary exploration of the area, I’m heading to the Varigotti beach. Here the ornithic situation is desolate: not only there are no razorbills, but it’s even difficult to spot any bird. I have to settle for a Sandwich tern and a cormorant-gull couple. Furthermore both are mediocre photos.

Sony α6600 + Sony FE 200-600mm F5.6-6.3 G OSS @ 200 mm, 1/2000 sec @ ƒ/8, ISO 500.

Beccapesci (Thalasseus sandvicensis).

Sony α6600 + Sony FE 200-600mm F5.6-6.3 G OSS @ 600 mm, 1/640 sec @ ƒ/8, -1.00 EV, ISO 100.

Cormorano e gabbiano reale mediterraneo (Phalacrocorax carbo, La

In the end a disappointing day in many respects, although I rejoice in the discovery of a new corner with a very interesting landscape.

Other photos from this session are available in the diary.

Sony α6600 + Sony FE 200-600mm F5.6-6.3 G OSS @ 230 mm, 1/640 sec @ ƒ/8, -0.70 EV, ISO 100.

Varigotti.