Two ways to portray haze

Wednesday, July 28, 2021 — St. Nazarius and Celsus
Traduzione in italiano disponibile.

Even a boring landscape can become interesting with a little haze, particularly in the early morning or late afternoon, when the sun starts to gild the sky. A freighter that has just left the port of Genoa is certainly not an exciting subject for me, since I've been seeing them for nearly half a century; yet the evening haze with its pastel tones, the various gradations of the ridges of the Ligurian Alps on the horizon, a bank of light clouds that detaches the coastline from the peaks and - last but not least — the wind that draws crêuze de mä (reflections that look like a path) on the water are more than enough to induce me to take the shot.

Sony α6300 + Sony FE 70-200mm F4 G OSS @ 200 mm, 1/1250 sec @ ƒ/5, +0.30 EV, ISO 100

.

But there is also an alternative way to postprocess this photo. While the naked eye doesn’t catch them, cameras can extract much more detail than one might think. Working with contrast and histogram — not to mention tools of dehazing where available — it is possible to recover both the ridges just behind the coast and the buildings in cities and towns. The operation produces violent and unrealistic colors, so it makes sense to try to convert everything to black and white. Working in the proper way with the various channels the surface of the sea can also be made very dramatic. Certainly the result is not it’s realistic — it gives the impression of strong sunlight and a pitted layer of clouds casting sharp shadows on the sea — but nonetheless I find it is very interesting. Had I immediately thought of this alternative I’d have taken another photo stopping down to achieve a better sharpness for the background.

Other photos in this session are available in the diary.

Sony α6300 + Sony FE 70-200mm F4 G OSS @ 200 mm, 1/1250 sec @ ƒ/5, +0.30 EV, ISO 100

.