L'automne en Provence (part II)

Saturday, October 28, 2017 — Saints Simon and Jude Thaddeus

(continues from part I)

In spite of an early wake up, I am not rewarded with a golden morning. I have hoped for it, for a short time, as some parts of the sky were clear before the sunrise. But clouds filled it quicky, turning the weather to overcast for the whole morning. This unfortunately means almost no photos with the sky in the frame, at least for now; and no mountain peaks in the golden light. Fortunately colours are provided by the foliage of trees and bushes, here and there.

Sony α6000 + Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS @ 20 mm, 1/50 sec @ ƒ/8, +0.30 EV, ISO 200

Matin nuageux sur le lac de Serre-Ponçon.

Sony α6000 + Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS @ 30 mm, 1/40 sec @ ƒ/8, +0.70 EV, ISO 200

L'automne à Saint-Apollinaire.

An hour later, in the Forêt de Boscodon the atmosphere is perfect, as usual: no people around, a deep silence, the whole autumnal palette of colours around me.

Sony α6000 + Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS @ 70 mm, 1/125 sec @ ƒ/8, +0.30 EV, ISO 200

L'automne dans la Forêt de Boscodon.

Sony α6000 + Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS @ 70 mm, 1/125 sec @ ƒ/4.5, -1.30 EV, ISO 100

L'automne dans la Forêt de Boscodon.

Sony α6000 + Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS @ 70 mm, 1/60 sec @ ƒ/7.1, -1.30 EV, ISO 250

L'automne dans la Forêt de Boscodon.

By driving down again to the border of the Lac de Serre-Ponçon I hoped to find some landscape hints with the lake, but colours are still dull (even though the clouds look thinner, maybe things will change in a couple of hours). Yes, there is the Îlot Saint-Michel with its tiny chapel, but I've portrayed it many times in the past. Water reflection suggests a possible variation on the theme, even though I'm not enthusiast at this kind of shot. Some gulls and cormorants offer the chance of a bird shot, even though not exceptional.

Sony α6300 + Sigma 150-600mm ƒ/5-6.3 DG OS HSM C @ 302 mm, 1/125 sec @ ƒ/8, +0.30 EV, ISO 200

Réflexion de l'Îlot Saint-Michel.

Sony α6300 + Sigma 150-600mm ƒ/5-6.3 DG OS HSM C @ 516 mm, 1/200 sec @ ƒ/8, +0.30 EV, ISO 320

Goélands et cormorans sur le lac de Serre-Ponçon.

At a later time, as expected, the sun at last is breaking the cloud layer, creating some brilliant colours and shadow contrast. In the valley of the Avançon the road quickly flows among fields with pasturing sheep and rows of trees; after a few attempts I've found that the best way to depict them is from a bend of the road that climbs up to the sanctuary of Notre-Dame-du-Laus.

Sony α6300 + Sigma 150-600mm ƒ/5-6.3 DG OS HSM C @ 150 mm, 1/125 sec @ ƒ/8, ISO 200, composite of 3 shots

Dans la vallée de l'Avançon.

Returning on my steps, northbound, I'm rejoining the Durance river, but just before getting again to the Lac de Serre-Ponçon I'm turning to the right to enter a previously unexplored area. Now it's afternoon and the weather is fine, with a good clear sky veiled with clouds.

Sony α6300 + Sony FE 70-200mm F4 G OSS @ 200 mm, 1/250 sec @ ƒ/8, -0.70 EV, ISO 200

Paysage près de Remollon.

So some mountain shot is possible now — this is very good, because the road that goes through the Grand Vallon is surrounded by a number of diverse and majestic rocks (they are part of a geologic park), it would be a pity to miss them. It's a very interesting zone, that I wasn't able to visit in spite of a couple of attempts in the past, because of lack of time. Sure it will deserve a deeper exploration another time.

Sony α6000 + Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS @ 70 mm, 1/125 sec @ ƒ/8, +0.70 EV, ISO 125

Le Jalinier.

At the end of the Grand Vallon I am unsure about what road to pick — there are a number of villages that I don't know, but I have to take a quick decision because there's still a long drive up to the destination for today. I choose to go for Sigoyer, because the Michelin map signals a vista point.

Before reaching the village, the landscape is actually getting more and more interesting: wide views, highlands, “mountains with a character” on the background. I can spot a number of known mountains, such as the Montagne de Saint-Genis, the Montagne d'Aujour and the Crête des Selles, that are well visible from the flats just north of Sisteron, where I've been the past years.

Sony α6000 + Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS @ 30 mm, 1/250 sec @ ƒ/8, +1.00 EV, ISO 125, composite of 5 shots

Just a few bends before and after Sigoyer the landscape is breath-taking. I'm wondering why I am all alone and there are no crowds of tourists (not that I'm sad with that), because I can have a glance on the highlands east of the Durance valley, interspersed with woods, fields crossed by white roads leading to sparse farms. One could take photos for hours...

Sony α6000 + Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS @ 26 mm, 1/200 sec @ ƒ/8, +0.70 EV, ISO 125, composite of 6 shots

Sony α6000 + Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS @ 70 mm, 1/160 sec @ ƒ/8, +0.70 EV, ISO 125, composite of 2 shots

The wideness of the landscape really calls for some composite shots. But looking westbound I'm also caught by the smooth slope of the Mount Ventoux, whose meteo tower can be easily spotted with a moderate telephoto lens.

Sony α6300 + Sony FE 70-200mm F4 G OSS @ 200 mm, 1/400 sec @ ƒ/8, -0.30 EV, ISO 100

Paysage avec le Mont Ventoux.

Now there are only a couple of hours of light and still a few mountain passes to drive through. Along the road, that again finds its way among woods and small glades, there are so many interesting subjects, but I really can't stop for anything or I'll risk to be caught by the darkness when I'm still on the top of a mountain.

Sony NEX-6 + Sony E 10-18mm F4 OSS @ 16 mm, 1/160 sec @ ƒ/8, -0.30 EV, ISO 100

Glade et arbre.

Passed Sisteron, I'm driving for the Défilé de la Pierre Ecrite and the area surrounding St. Geniez — a magic semi-deserted area that I first saw the past year. A few villages, pasturing sheeps, strangely-shaped rocks and a vague sense of mistery looming around.

Sony NEX-6 + Sony E 10-18mm F4 OSS @ 10 mm, 1/160 sec @ ƒ/8, -0.30 EV, ISO 100

Pâturage de La Bastide près de Saint-Geniez.

Sony α6300 + Sony FE 70-200mm F4 G OSS @ 200 mm, 1/250 sec @ ƒ/8, ISO 100

And now the last pass, Col de l'Hysope. Looking forward, I can see the vallée des Duyes perfectly light by the setting sun, which is strengthening the golden autumnal colours that here seem to be even stronger.

Sony α6000 + Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS @ 22 mm, 1/320 sec @ ƒ/8, ISO 160, composite of 2 shots

La vallée des Duyes vue depuis le Col de l'Hysope.

Sony α6300 + Sony FE 70-200mm F4 G OSS @ 155 mm, 1/100 sec @ ƒ/8, ISO 100

L'automne dans la vallée des Duyes.

Sony α6000 + Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS @ 47 mm, 1/160 sec @ ƒ/8, +0.70 EV, ISO 160

Paysage à Font du Roi.

After a good number of hairpin bends I'm at the bottom of the valley, near the village of Thoard. Now there are the last rays of the setting sun and the last shots of the day are for pasturing sheep with their long shadows cast on the ground.

(continues to part III)

More photos from this journey are available in the diary.

Sony α6300 + Sony FE 70-200mm F4 G OSS @ 98 mm, 1/60 sec @ ƒ/8, ISO 100

Thoard.

Sony α6000 + Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS @ 52 mm, 1/160 sec @ ƒ/8, +0.30 EV, ISO 160

Pâturage près de Saint-Martin.