Place the DoF in the right place

The technological advances with camera bodies are nice and relevant for making better photos. But sometimes they make the photographer lazy and many creative possibilities are not correctly exploited. For instance, autofocusing makes the thing as easy as pressing the trigger, so often one forgets that having the subject in sharp focus sometimes is just part of the game; a more concerned photographer will go to the second step, and eventually control aperture for having the correct depth of field (DOF). But there can be a third refinement: selectively placing the DOF, that is the range of things that are in sharp focus.

Nikon D200 + Nikkor 300mm ƒ/4D ED-IF AF-S @ 500 mm, 1/800 sec @ ƒ/10, -1.33 EV, ISO 280, TC 17E, tripod.

Île Saint-Honorat vu de Pointe de l'Aiguille

Only a few sophisticated lenses, such a couple of Nikon products optimized for portraits, offer “defocus control”, a way to control blurring in front of or behind the subject. The others, by design, focus so that the DOF area is roughly partitioned with two thirds in front of the subject and one third behind it. Thus the subject “comfortably” lies in a sharply focused strip; this is good and even convenient in most cases, even for eventually correcting slight focusing errors.

Creativity can push this a step forward. In the photo above I purportedly selected the centre autofocus sensor, in spite of the real subject (the monastery) being in the upper third of the image. In this way, the buildings are just at the margin of the focused area; note that the waves in front of them are sharp, while those behind them aren't. It's a good way to make the buildings “pop” off their background.

When I recomposed for the next photo, giving more room to the sky to bring some clouds into the frame, I didn't refocus. Now the DOF spreads only in the lower fifth strip (the remainder has slipped off the frame) — so the “popping” effect is preserved. Of course, in this way the clouds are out of focus too, but it's not a problem since they are a soft subject.

Nikon D200 + Nikkor 300mm ƒ/4D ED-IF AF-S @ 500 mm, 1/800 sec @ ƒ/10, -0.67 EV, ISO 280, TC 17E, tripod.

Nuages sur l'Île Saint-Honorat.

This technique requires trial and error (and some luck), as the correct placement of the focused area can't be confirmed by looking at the viewfinder nor at the small preview screen of a camera body (you should carry with you a portable computer with a relatively large screen to be sure). Since the risk is to have the main subject out of focus, ruining the photo, I also took some regular shots for safety; I threw them away only when I got home and could confirm that everything was ok.

For the record, a -1 EV gradient filter has been applied to the sky during post-processing, to darken it and make the clouds more visible.