Post index
- TTArtisan 100mm F2.8 Bubble Bokeh rolling review
- Variations on a theme (III)
- “Stolen” photos
- Twenty years
- Between Liguria and Provence
- Three-leaved anemones and other flowers
- Dogtooth violets and Alpine squills
- Serendipity (6)
- Saint-Cassien-Des-Bois
- Via Julia Augusta in Val Ponci
- Perti and Varigotti
- Fallen leaf and moss
- Monochrome sailboats
- Autumn in Oltregiogo
- Sony FE 200-600 mm F5.6-6.3 G OSS vs Sigma 150-600mm ƒ/5-6.3 DG OS HSM C
- Butterflies
- Two ways to portray haze
- Sony α6600
- Perfect minimalism
- In the field with Tamron 20mm F/2.8 Di III RXD 1:2
- Colchico autunnale sul Col de la Cayolle
- Toscana ed Umbria
- Fiori
- Le Cinque Terre
- Ville di Corsano
- Serendipity (5)
- Serendipity (4)
- First flower
- Gelo!
- L'automne en Provence (part III)
- L'automne en Provence (part II)
- L'automne en Provence (part I)
- Switched to Capture One
- I castelli di Bellinzona
- Don't say "sunny day" too fast
- Un-destinations
- Zygaena filipendulae
- A sud di Siena
- Back to landscape (with the Sony α6300)
- Variations on a theme (II)
- Bokeh and other optical qualities with extension tubes
- Wisteria
- Bokeh exercise with Sedum dasyphyllum
- Three different bokeh
- Visioni lontane
- The Zenit Helios 58mm for flower macro photography
- The seasonal time machine
- Il mare d'inverno
- Trame e colori autunnali
- Premières neiges
- More colours of fall
- First colours of fall
- Macro with the SEL70200G and the Marumi achromat close-up lens DHG 330 (+3)
- Of strong haze and summertime blues
- Birds in flight with a mirrorless?
- Il cielo notturno
- Woodland geraniums and light quality
- Flowers in backlight
- Back in the wildlife game
- The Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary on the field
- Asphodelus albus
- L'abbaye Notre-Dame de Lure
- Tilt it, boys!
- Hepatica nobilis, intimate
- Spring
- Paesaggi innevati
- Mimosas en Côte d'Azur
- Neve fresca
- Fiori di ghiaccio
- Sant'Apollinare
- Nebbie autunnali
- Inversion
- Serendipity (3)
- Panoramas with an ultra wide angle lens
- Autumn flowers
- Repairing the SEL70200G
- The end of summer
- Venezia
- Revisiting that old landscape
- L'Abbandonato
- Nuvole
- Presets for the Sony α6000
- On why I take pictures
- Panoramas and HDR with Lightroom 6
- Fresh waters, woods and lovely chapels
- More flowers
- Spring
- Macaia, scimmia di luce e di follia
- Serendipity (2)
- When the EVF is really a plus
- The winter sea
- Further experience with the Sony FE 70-200mm F4 G OSS
- Douces brumes de Bourgogne
- First experience with the Sony FE 70-200mm F4 G OSS in the field
- The Sony FE 70-200mm F4 G OSS compared with two Nikkor primes
- Landscape says good-bye to Nikon
- Evening falls on the mysterious forest
- The Samyang 8mm with the NEX-6
- Trying the Trioplan
- Les Grangettes
- Variation on a theme (I)
- Cherry blooming in April
- Blue Hour at Lago di Toblino
- Early spring
- Sony Zeiss Vario-Tessar T* E 16-70mm F4 vs Sigma 30mm F2.8 DN | A
- The Sony Zeiss Vario-Tessar T* E 16-70mm F4 in the field
- Sony Zeiss Vario-Tessar T* E 16-70mm F4 vs Nikkor 18-70mm ƒ/3.5-4.5G ED DX AF-S
- First impressions with the Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS
- Serendipity
- NEX-6, pushing the EVF to the limit
- Sony NEX-6, some days in the field with the Sony E 10-18mm f/4 OSS
- Sony NEX-6 review, day three: with the Sigma 30mm ƒ/2.8 DN A
- Sony NEX-6 review, day two
- First snow in Val Névache
- Sony NEX-6 review, day one
- Breaking the mirror
- Necessity is the mother of invention
- One year with the AF-S Nikkor 18-70mm
- The ant's point of view, reloaded
- Val d'Orcia (II)
- Val d'Orcia (I)
- It is thawing at Col de Vars
- Birds, portfolio 1
- Within fifteen meters and five minutes
- Cirrus, halo and larches in backlight
- The moon at different focals
- Blue moon, blue mood for Neil
- L'ultimo tramonto
- Flamingoes at sunset
- Il viale del tramonto
- The small eucalyptus grove
- Quiet moon rising
- Testing the AF-S Zoom-Nikkor ED 18-70mm f/3.5-4.5G IF DX
- Inside an alpine meadow
- The departure of wild geese
- Why do we need colour management?
- All the fogs in the world
- Inside a lavender field with the fisheye
- First experience with the Samyang 8mm f/3.5 fisheye
- The Nikon D5000 for birding photography
- Clouds, mountains and the moon
- Double camera body strategy pays off
- It's the glass, stupid!
- Migrating black-winged stilts
- Exploring the Esterel Massif
- Caille et Séranon dans la neige
- Trees in black and white
- Lago di Alserio
- Saint-Honorat
- About red cliffs and blue sea
- Place the DoF in the right place
- Footprints in the snow
- Tracking flying birds with the Nikkor AF-S 300 f/4 and Nikon D200
- Birding at the village of Orbetello (II)
- Birding at the village of Orbetello (I)
- 170 kilometres
- Nikon D5000, first experience on the field
- Nikon D5000 - reasons for a buy
- Some learnt lessons about shooting birds
- Sunflowers in backlight
- Immature chestnut husks
- Always beautiful
- The perfect pose
- Morning roost
- Flamingoes, near home
- Time-lapse on Mont Ventoux
- It took only eight years...
- When troubles are opportunities
- Boating in the marshes (II)
- Boating in the marshes (I)
- Trees to mask unwanted stuff
- Cascade de Pissevache
- Hiding and contrasting
- Too close?
- A matter of details
- The lone fisherman
- Earthshine
- Out of my window
- A gift from the cold
- Different perspectives
- Silver reflections
- Fallow deers and fall colours
- When the light changes fast
- DoF problems
- Magic light even makes dirt shine
- Sometimes don't focus on the subject
- Bad weather in mountain
- Le Lac de la Forêt d’Orient
- Those old friends of mine
- An unusual background
- Oliveto Granducale
- Trees filling voids
- Easier than expected
- Preparing for the night
- A crystal-clear summer day
- It can happen, even in Summer
- F1 racing cars
- Got published
- Fill-in flash and backlighting
- Go vertical!
- Using fill-in flash with bad weather
- Experimenting with harsh light
- Bad weather does not necessarily mean bad photos
- Emergency technique for diving birds
- Shooting fast moving birds
- Nikon D100, Day Two
- Nikon D100, Day One
- Going digital: Nikon D100